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Marriage Story and Jojo Rabbit

When I was 9 years old, working on a film called Just Cause with Laurence Fishburne, we were traveling on a plane somewhere for the film, and he said to me, “Do you want to be an actor or do you want to be a movie star?” I didn’t know what the difference was. I felt like, You can be both, right? And I realized then that you have to keep pushing further and further to stretch yourself to uncomfortable places. If your end goal is to be a movie star, well, that’s different than acting.

Growing up, did you ever want to be a Disney kid?
No, I wanted to be Judy Garland! I saw adult things at way too young an age. I watched Chinatown when I was 9. Patrick Swayze was my biggest crush. He still is. And David Bowie in Labyrinth. They opened my eyes to sexuality! Whoa! They both looked great in extremely tight pants.

Do you have a go-to karaoke song?
I’ll do a song from Queen if I’m feeling particularly feisty. I like “Bohemian Rhapsody.”

Do you know all the words?
Of course! Are you kidding? I was a kid actor: I do all the parts.

With Noah Baumbach’s ‘Marriage Story’ and Taika Waititi’s ‘Jojo Rabbit’, her Avengers spinoff ‘Black Widow’ and the mantle of the world’s highest-grossing actress, Johansson isn’t afraid to say how she really feels about Disney and her plans to direct.

When Scarlett Johansson met writer-director Noah Baumbach for lunch in 2016 to talk about a role, she was in the midst of a private ordeal, divorcing her second husband, Frenchman Romain Dauriac. Baumbach, who didn’t know about Johansson’s pending split, was eager to discuss an unusually exposing film he was writing. The tragicomic story would explore terrain Baumbach encountered while ending his marriage to actress Jennifer Jason Leigh — the hideous fights, the mercenary lawyers, the wistful moments of wondering whether things could be different.

Before Baumbach launched into his pitch about why he thought Johansson would be perfect for the role opposite Adam Driver, the actress shared what was going on in her marriage. “It totally caught me off guard,” Baumbach says. “I was like, ‘Well, you’re going to either hate this idea or love it. This may be exactly not the headspace you want to be putting yourself in, or maybe it will be healing.’ ” The movie, Marriage Story, turned out to be the latter. “We talked a lot about the actual experience of divorce because I was in the middle of the process,” Johansson says. “We talked about becoming a parent, and our parents. The expectation that comes with being in any kind of a relationship, and the disappointment that can come with that expectation.

Johansson, 34, is recounting this story in early August on the set of Marvel’s Black Widow outside London, where she has been living with Rose, her 5-year-old daughter with Dauriac, for five months. Fresh from a morning of fight training, she arrives for an interview in a wood-paneled conference room at Pinewood Studios wearing an Avengers T-shirt, her hair in a messy bun, a gold chain with Rose’s name on her throat. It’s a hectic time for the actress: This fall, Johansson, who has never been nominated for an Oscar despite critically acclaimed performances in such movies as Lost in Translation and Match Point, stars in two likely awards contenders, Marriage Story for Netflix and Taika Waititi’s Jojo Rabbit, for Fox Searchlight, both screening at the Toronto Film Festival. When Black Widow opens in May, it will be the first female-fronted extravaganza to kick off the summer box office season. She also is preparing to send Rose to kindergarten in New York City and wed her fiance, Saturday Night Live’s Colin Jost.

In person, the actress is unguarded and assured, even on thorny topics — from actors playing characters of different races (which sparked a fierce debate) to whom she’s backing for president to why she’s standing by Woody Allen. She apologizes that her answer to one question sounds “farty” (pretentious) but never asks for forgiveness for her opinions.

How do I feel about Woody Allen?” Johansson lets the question hang for a moment. Ever since the #MeToo movement caused Dylan Farrow’s sexual abuse allegations against her father to be re-examined, much of Hollywood has distanced itself from Allen. The filmmaker long has denied the claims, but many actors who have worked with him, including Michael Caine, Timothée Chalamet and Greta Gerwig, have publicly expressed regret about doing so, and Allen has been unable to find a U.S. distributor for his movies since Amazon canceled his deal in 2018. Allen directed Johansson in Match Point (2005), Scoop (2006) and Vicky Cristina Barcelona (2008) and played a key role in shaping her career as one of Hollywood’s most sought-after leading ladies. After a beat, Johansson makes it clear that she disagrees with many of her peers. “I love Woody,” she says. “I believe him, and I would work with him anytime.”

Johansson continues: “I see Woody whenever I can, and I have had a lot of conversations with him about it. I have been very direct with him, and he’s very direct with me. He maintains his innocence, and I believe him.” Asked if this position feels fraught to express in a cultural environment where there is a new and powerful emphasis on believing women’s allegations, Johansson says, “It’s hard because it’s a time where people are very fired up, and understandably. Things needed to be stirred up, and so people have a lot of passion and a lot of strong feelings and are angry, and rightfully so. It’s an intense time.”

Full interview: hollywoodreporter.com

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When Scarlett Johansson was first cast in 2009 as ballet dancer turned fistfighting superspy Black Widow in Marvel’s Iron Man 2, she wasn’t exactly prepared for the part. “I’d never stepped foot in a gym,” she confesses. “I had no experience with any sort of martial arts or anything like that.

She turned out to be a quick learner, especially after being paired with stuntwoman Heidi Moneymaker, who’s been training with and doubling for the actress in Marvel movies ever since. So far she’s had appearances in six of Johansson’s films, with a soon-to-be-seventh gig in the Avengers sequel being directed by the Russo brothers. And there could be an eighth: a stand-alone Black Widow movie is reportedly in development. “[Heidi and I] got to create this side of the character and expand on it over this past decade,” says Johansson, 34. “I don’t know how many actors have the opportunity to play the same character over 10 years.

A UCLA-trained gymnast, Moneymaker, 40, started her career with minor stunt work on such TV shows as Angel and The O.C., working her way up the food chain and into features (doubling for Drew Barrymore in Charlie’s Angels: Full Throttle and for Michelle Rodriguez in 2009’s Fast and Furious). But she says no matter how big the job, she relies on her gymnastics discipline to help her get through the day in one piece. “The athlete mentality is definitely good to have,” she says. “I’ve had so many people come up to me and say, ‘I’m crazy, I’ll do anything! I could be a stuntman or a stuntwoman.’ Those are the kind of people that you don’t want around.

Over her 15-year career, Moneymaker has learned that being a stuntwoman is in some ways even more hazardous than being a stuntman. “Wardrobe for women is tighter and skimpier,” she explains. “When you get slammed into walls or hit by a car, it’s harder to pad up. If a guy is wearing fatigues or something a little baggier, they have the opportunity to put more padding on.” Finding work is also more challenging since action films traditionally have fewer female onscreen roles. “It’s a lot of bros,” she says of stunt-heavy sets. “Sometimes I just want to be around women. I’ll go somewhere and there’s women there, and I’ll be like, ‘Oh, thank God!’

Recently, as the Marvel Cinematic Universe continues to expand, Moneymaker’s and Johansson’s work has had to accommodate an increasingly crowded screen. “As the films grew larger in scale, it became less hands-on for most of the actors,” says Johansson, noting that shooting is now an intricate ballet of scheduling. “We have three to four units going at the same time.

For the actress, the trick to working with her longtime stuntwoman is simple: “I tell myself, ‘Do whatever Heidi does. Just listen to whatever she says and she’ll keep me safe.’

Source: hollywoodreporter.com

Hello everyone. I added to the gallery phootshoot pictures of Scarlett. Enjoy!

   


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Avengers: Infinity War
Role: Natasha Romanoff / Black Widow
Release date: 2018

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