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Scarlett Johansson stands Apart from the crowd

The actress has, so far, not joined the list of A-listers distancing themselves from Woody Allen over accusations that the director molested his adopted daughter Dylan when she was seven, a quarter of a century ago.

But if that fanned a degree of criticism, she has also publicly supported Georgina Chapman, the estranged wife of producer Harvey Weinstein whose sexual transgressions, some had assumed, might spell the end of her Marchesa fashion label.

To me, it seems inhumane to hold someone accountable for their partner’s actions. It feels extremely, deeply wrong,” said Johansson, who fielded queries about the #MeToo movement even though she was giving the interview to plug her album collaboration with American singer-songwriter Pete Yorn.

Last month, she walked the talk, stepping out in a crimson Marchesa gown at the Met Gala, New York’s party of the year.

I just really wanted something that was beautiful and my idea of heavenly and romantic,” said the 33-year-old, who is best known for her roles in Lost In Translation (2003), The Avengers (2012) and three Allen films.

Her album Apart, which came out last Friday, has five indie tracks focused on the aftermath of a failed relationship.
Johansson, who laid down her vocals in just one afternoon, said music is just another way to express herself.

It’s all coming from mostly here,” she said, pointing to her gut.
Sometimes here,” she gestured to the heart.
Mostly here,” she said with a smile, back to the gut.


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Scarlett Johansson And Pete Yorn Talk Friendship, Collaborating, Parenting And More

It is a great treat to talk to Scarlett Johansson and Pete Yorn together. What’s so refreshing about it is in this age of too many forced music partnerships and features for commercial sales sake, the two of them genuinely like each other, as evidenced by the way they talk to each other, share inside jokes, laugh often and reminisce as real friends do.

Their reasoning for reuniting to work together on the superb new EP, Apart, nine years after they teamed for their collaborative album, Break Up, is simple and pure. They missed working together. That comes across in both the music, which ranges from the fun of the opening track “Iguana Bird” to the more ethereal “Movies,” and especially the conversation.

In this joyful and engaging chat between the two close friends and musical partners they discuss parenthood, pizza, time flying by and Disney.

Steve Baltin: It’s been nine years since you did an album together. So much has changed for you both in that time. Talk about the different things you both brought to collaborating this time.

Scarlett Johansson: We’re parents now, which is I think the biggest life change that can happen for anyone. It gives you a different perspective on the passing of time. The two of us just hanging out and talking, coming from a place that’s of the life experiences we have, I think you can hopefully hear it in the sound. And it feels like, in some ways, picking up where you left off. But then there’s also a sense of there’s been a passing of time and some progression and that sort of sticky nostalgic place you can sometimes regress back into later in your life.

Pete Yorn: The whole reason we got back together, from my end, was I just missed singing with Scarlett. It felt like too much time had gone by and I felt super nostalgic for those 2006, 2007 days. And I needed to do it again and I was so happy she was game. She was definitely a baby when we did the last one and I was a little bit older than a baby. But it was quite some time ago. We both have daughters now and it changes your perspective. It’s funny though, people always ask me, “How has it changed the way you approach music or your songs?” And I always thought, “Would I write my, ‘I believe the children are the future?’” And I still write kind of moody songs, so it hasn’t really changed my writing too much.

Baltin: You may never write “The Greatest Love Of All,” but often times there are subtle things that you pick up on later. So maybe it’s influenced your writing and certainly your lifestyle in ways that aren’t overt.

Yorn: On a practical level, just having a little one makes my time more focused on different things. I’m so hands on with my little girl, I wonder before my kid what the hell did I do with all my time. I think that manifested in picking up my guitar here and there, banging out a song, and now I gotta be much more structured about it if I want to get stuff done. Scarlett can speak for her experience there, but she is even more busy than I am.

Johansson: Personally speaking, your creative time becomes more valuable. I find responsibility of having a child and balancing life as a working mother a welcome challenge. I think it somehow pares away a lot of the noise and it’s sharpened my artistic focus. So I work on projects that are meaningful to me and I feel very dedicated to having a satisfying experience and seeking out the interesting, often times ugly, unturned stones. I like to dig that stuff up because my work time is valuable. If I’m going to not be spending time focusing on being completely hands on with my daughter, which I am, then I want to make sure what I’m doing is really meaningful to me. And this project is definitely a reflection of that. It was a chance to return to something, revisit something with a new perspective. And I think that’s an unusual opportunity to do something like that. Also having a partner you’ve known for almost 15 years, it’s a rare thing.

Baltin: Do each of your kids have a favorite song off the EP?

Yorn: Mine definitely does. She pooh-pooh’s stuff, really quick, like barely even lets me pick up my guitar to play. But she always loved the first song on the record, “Iguana Bird,” right from the get go. That was definitely her favorite, but she lets me play at least through the first three songs.

Johansson: I haven’t ever played my daughter anything I’ve ever sang before (they both laugh). I’m so deep in the wonderful world Of Disney, so I should expand her musical horizons. If I’m not playing Disney songs then it’s jazz, but even the Beatles are hard for her to wrap her head around at this point.

Yorn: I’ll always test out a song on Bee to see if she likes it. And if she didn’t like it, I’d be like, “Oh no, that means it’s not good.” Then I put on like a classic Led Zeppelin song and she’s like, “No!” I’m like, “Alright, I’m not gonna take it personally.” She’s very fickle.

Baltin: Are there any plans to play live and if you do, what Disney song would you cover in honor of both of your kids?Johansson: (They both laugh) The idea of touring would be impossible. I’m used to living in a trailer that’s parked for five nights. The idea of touring in any capacity seems dreadful. But it would be super nice to do, especially now that we have two albums to sing, a select couple of shows at some point. It’s just a matter of finding the time, though I decided after this summer I’m taking a nice long, much needed break. So this could be a nice respite from that. And a Disney song we could cover the two of us? (Yorn starts singing “A Whole New World”) Not “A Whole New World,” that’d be awful, too corny.

Full interview: